Indonesian migrant worker from Malang, East Java. Being in Taiwan for ten years, he is a factory worker in Tainan. As a member of the Tainan migrant worker photography group WPC, he is good at location shooting of people and pre-wedding photos.

Indonesian migrant worker from West Nusa Tenggara Sumbawa. Being in Taiwan for ten years, he is a factory worker in Chiayi. As the vice president of the Chiayi migrant worker photography group KFIT and president of Chiayi Indonesian Muslim Group MTYCIT, he has his own personal photography brand YUCHAN PROJECT that undertakes location shooting of wedding and portrait photos.

32 years old, from Sumatra, Indonesia, she had lived in Taiwan for 8 years as a former caregiver in Taichung; now, she is back to Indonesia. As the second president of the Indonesia migrant worker writing group KPK, her works were selected for the 2015 Taiwan Literature Award for Migrants and she is the winner of the 2015 Taipei, Listen to Me! Poetry & Essay Writing Contest Excellent Work Prize and 2020 Kao Yuan University Cup of Literature Awards for Migrant Workers Excellent Work Prize. Besides the literary contests, she also publishes novels in KBM App, such as her long novel “Defiled Love" which is serialized to 30 episodes on this platform.

Indonesian migrant worker from West Nusa Tenggarabima. Being in Taiwan for seven years, he is a worker in an automotive light factory in Tainan and has started working as a migrant worker wedding photographer since 2020.

Indonesian migrant worker from Ponorogo, East Java. Being in Taiwan for five years, he is a wood factory worker in Chiayi. As the president of Chiayi migrant worker photography group KFIT, he started his photography brand EAST JAVA POTRAIT in 2020 and undertakes graphic and photography shooting cases.

38 years old, from Java, Indonesia, she had lived in Taiwan for 7 years as a former worker in a care center in Chiayi; now, she is back to Indonesia. Being interested in writing and reading, she has a Bachelor’s degree in communication from Indonesia Open University and is the winner of The Third Taiwan Literature Award for Migrants Choice Prize, The Seventh Taiwan Literature Award for Migrants Judge Prize, and the 2020 Kao Yuan University Cup of Literature Awards for Migrant Workers Excellent Work Award. With varied themes, including oversea work and life as well as Indonesian superstitions, her eloquent style has been praised by Taiwanese judges.

Indonesian migrant worker from South Anyu, West Java. Being in Taiwan for five years, he is a factory worker in Ciaotou, Kaoushiung. As a member of the Tainan migrant worker photography group WPC and Chiayi migrant worker photography group KFIT, he is good at shooting portrait and pre-wedding photos. Recently, he started learning to take photos of static buildings and scenes.

Liu Chun-liang is a vocal artist, director, and body performer. Since the beginning of Covid-19, she has also started painting. With a background in politics and sociology, she created perceptional experiences, participatory contexts, and performances with sounds and bodies through stories, songs/sounds, food, and motions. “Verbs” are used to create experiences. All creations change with the contexts, such as the recording project in Time_Place_Space: Nomad. In 2014, she formed a performance group named Moe Chee (tacit understanding in Chinese) together with the Australian experimental musician Clinton Green. In 2016, she released her first album Friction which recorded people’s and street sounds in Kaohsiung, Taipei, and Melbourne. Currently, she is a freelancer and was the Creative Director of Long Distance Collective (theatre), a project review of a performing art platform, and translator of other cultural reviews. In 2021, she focused mainly on human voice creation as the main media and is expecting to launcher her first personal album “I Thought it was Colourful, but They Said it was BLACK” in 2022.

Wu Mei-chi, artist, is a master of setting up impossible light and shadow scenes with bare hands. From 2016 until now, the series of “XXY”, “XYX” and “YXX” present her body exhibitions reflected repeatedly from ordinary shining objects and mirrors. Through experiments in which the spatial dimensions are sliced, the possible combinations of static objects become infinite. “PICNIC", a work released in 2021, is a collage of the past experiences of images with objects based on her self-emotional experiences; amidst, the answer was found from the power struggle with the partner and self-recognition. This series was completed in collaboration with pong ding, and a photography collection with the same name “PICNIC” was also released at the same time together with a short fairy-tale-like novel "Seasons". The 2022 new series "Pandor's Box" and "Baby's Baby II" re-explore the meaning of images based on her understanding. She sojourns in the boundary of reality and virtuality of the images within the real world, reversing repeatedly the relationship between objects and subjects. Indeed, the purpose is to transform images into different media and shapes.

Born in 1990, she is a Ph.D. student at the Graduate Institute of Taiwanese Literature, National Chengchi University. Her works focus on the ambiguous boundary between humans and non-humans, as well as the surreal moments within ordinary life. Her novel “Human Glitches” won the 2020 Taiwan Literature Golden Award. Currently, she is writing a long novel with the support of the National Culture and Arts Foundation. Apart from literary creation, she also publishes reviews in different major media, with the main focus on the interweaving of literature with science and the ecosystem.

Yang Shuang-zi is a Taiwanese novelist and researcher of subculture and popular literature. Born in 1984 in Taichung, her real name is Yang Jo-Tzu. Around the year 2008, Yang was deeply attracted by the Yuri culture. As a novel creator and scholar, her field of study includes popular literature and ACG subculture, with different papers published in journals and books. In 2016, her first Yuri novel “The Man Scooping up the Moon” was published, followed by “The Season When Flowers Bloom” in 2017 and “Blossoming Girls of Gorgeous Island” in 2018. Both are Yuri novels with Taiwan under Japanese colonization as the background.

Cheng Jen-pei , a visual artist, was born in 1983 in Kaohsiung, Taiwan.
Most of her creative forms are “participatory arts” in which daily oral history is collected through interviews. The contemporary "food culture” is studied from two viewpoints - “humanity issues” and “ecosystem and environment”.

Born in 1988, she is a Ph.D. student at the Institute of Taiwanese Literature, National Tsing Hua University, and also the winner of Taipei Literature Award First Prize, Lin Rong San Literary Award First Prize, etc. Her works were selected for “2015 Selected Novels” by Chiu Ko Publishing. She was one of the editors of the e-book review publication “AnonyReaders”.

Being a professional artist slashed diatonic harmonica player, Lai Wei-yu usually fuses his own aesthetic and cultural awareness into the harmonica performance. Consciously, he embodies the instrument as the carrier of the noises that appear in this piece of land. Thus, Lai is also keen on the promotion of diatonic harmonica in Taiwan, including teaching, lectures, workshops, and others. Meanwhile, he is also advancing in his art creations in all different forms…

Born in 1985 in Taiwan, Wei Ze majors in Fine Arts (Western Painting) and History at National Taiwan Normal University. Later on, she went to École supérieure d'art et de design de Marseille-Méditerranée and obtained the “Diplôme National Supérieur d'Expression Plastique” in 2016. Currently, she is living and working in Taiwan and Berlin, German. The sources of her works are historical recontextualization, counterfactual history, and their relevance to the contemporary world. By using different media and theoretical research for her creative projects, she aims to explore global current affairs and develop points of view on different issues.